York Audio Kw 412 M25sh Irs [exclusive] Jun 2026
: A unique addition to this pack is the inclusion of Stereo Room captures and Stereo Mixes , which provide real room ambience for an "amp in the room" feel when using headphones or stereo monitors.
Fusion and blues icon Scott Henderson relied heavily on this specific cabinet to form his signature expressive, dynamic tone. Seeking a way to preserve and tour with this tone digitally, Henderson sent his personal cabinet directly to Justin York of York Audio.
Thick, warm, and tightly controlled. It eliminates mud while retaining a massive "thump" that responds naturally to pick dynamics. york audio kw 412 m25sh irs
The is a premium impulse response (IR) library based on a custom 4x12 Kerry Wright cabinet loaded with UK-made Celestion G12M 25W Greenback speakers . This specific cabinet belongs to fusion guitar legend Scott Henderson .
York Audio used an extensive selection of classic and boutique microphones to capture this cabinet: : A unique addition to this pack is
The tone of this pack is exceptionally well-balanced. Unlike some IRs that can feel thin or excessively harsh in the high-mids, the KW 412 M25SH is known for:
: With its high power handling capability, the KW 412 M25SH IRS can manage high sound pressure levels without distortion, making it suitable for large audiences and dynamic performances. Thick, warm, and tightly controlled
: Thick, punchy, and deeply resonant. It avoids the artificial boominess or "woof" found in sub-par IR files.
Unlike common commercial enclosures, this boutique cab allows the mid-range woodiness of the vintage-spec British Greenbacks to blossom without introducing muddy or booming bass. When York Audio spent months precisely capturing its output, Henderson himself remarked that he could hear absolutely no difference between the real physical cabinet and the processed IRs. Sonic Character and Frequency Response
Enter the .
The station was silent except for a low, throbbing pulse—the Shiver. In the basement, a pristine York Audio KW 412 M25SH IRS sat on a shipping pallet, wired to a 1970s Revox tape machine. The tape was old, spooling endlessly. On it was a loop: Mira Sudol’s own childhood scream, recorded during a suppressed memory extraction in 1989, when she was a child subject of Project Silencio.