Yes - Close To The Edge -2013- -flac 24-192-
The Blu-ray version features high-resolution 24-bit/192kHz stereo remasters of the original "flat" stereo masters and 24-bit/96kHz for the new Steven Wilson 5.1 Surround and Stereo remixes.
The 192kHz sampling rate captures the rapid attacks of Bill Bruford’s snare drum and Chris Squire’s aggressive Rickenbacker bass lines with incredible accuracy. Lossless Integrity
Conclusion The 2013 FLAC 24‑bit/192 kHz release of Close to the Edge can be an excellent way to re-experience an iconic work: it enhances micro-details, separation, and dynamic subtlety when the transfer is well executed and playback gear can take advantage of the format. Musically, the composition stands as a masterclass in structure, ensemble interplay, and blending of influences; sonically, a high-resolution transfer aims to bring listeners closer to the nuance of the original performances—provided the mastering preserved the album’s original dynamics and tonal balance.
The ultimate test. The frantic guitar/bass interplay and Bill Bruford’s jazz-influenced drumming require high resolution to decode. On the 192 kHz sampling rate, the transient attack of Bruford’s hi-hat and snare rimshots is razor-sharp but natural. The complex stereo panning of the backing vocals (the “To be able to love...” round) is vividly disentangled. In lower resolutions, this section turns into a wall of noise. In , it is a kaleidoscopic ballet. Yes - Close To The Edge -2013- -FLAC 24-192-
The "24-192" technical designation signifies an audio container capable of reproducing sound with perfect mathematical accuracy relative to the source tape. While Steven Wilson's modern 2013 remixes were mastered at 24-bit / 96 kHz to match the digital multi-track workspace, the 24-bit / 192 kHz FLAC tier preserves the via a direct, flat transfer from the 1972 master tapes.
A FLAC 24/192 copy of Close To The Edge weighs in at approximately for the full album. That is roughly 50 times larger than a standard MP3.
The 2013 24-bit/192kHz FLAC of Close to the Edge is the definitive digital edition. It proves that Yes didn't just write songs; they built cathedrals of sound. If you have the bandwidth and the DAC, buy this file. Throw away your old MP3s. You are about to hear I get up, I get down with a clarity that will give you chills. Musically, the composition stands as a masterclass in
The 2013 high-definition remaster of Yes’s 1972 masterpiece, Close to the Edge , remains the gold standard for audiophiles. Presented in FLAC 24-bit/192kHz, this version—meticulously helmed by Steven Wilson—breathes new life into what many consider the pinnacle of progressive rock. 💎 The Technical Edge: Why 24-bit/192kHz?
The 2013 remix is vastly superior to the "louder-is-better" 2003 masters, offering higher dynamic range. 4. Contents of the Panegyric Blu-Ray Edition
The 2013 mix corrects original pressing imbalances while keeping the artistic intent intact. On the 192 kHz sampling rate, the transient
Yes - Close to the Edge (2013 Steven Wilson Remix) High-Resolution Audio Feature: 24-bit / 192kHz FLAC The 2013 definitive edition of Yes’s 1972 masterpiece, Close to the Edge
This acoustic-driven epic benefits immensely from the extended high-frequency resolution. The opening 12-string guitar harmonics played by Steve Howe ring out with a breathtaking crystalline texture. You can hear the physical slide of fingers across the guitar frets and the subtle breathing of Jon Anderson before he delivers his vocals. When the Mellotron strings sweep in during the "Eclipse" section, the soundstage expands wide across the horizontal plane, creating a lush, enveloping wall of sound that never distorts or distorts the finer acoustic picking underneath. 3. "Siberian Khatru" (8:55)
