Unusual Award N.13- Extreme Gluteal Proportions In - African [updated]
As with any award that singles out specific physical characteristics, the "Unusual Award N.13" is not without its controversies. Critics may argue that such recognitions can objectify individuals, reducing them to specific body parts or attributes. There is also the concern that these awards might inadvertently promote unhealthy or unrealistic standards, even if unintentionally.
Anthropologists suggest this was an evolutionary adaptation. Similar to a camel's hump, the localized fat deposits served as a nutrient reserve during periods of drought or famine without insulating the rest of the body, which allowed for better heat dissipation in arid climates.
If you are looking for actual scientific studies regarding fat distribution (often referred to as steatopygia in older anthropological texts) in African populations, these are some legitimate peer-reviewed papers:
Supporters argue that the difference lies in . When a celebration is framed by culture, history, and scientific insight—when it elevates voices from within the community rather than imposing an external gaze—it can be a tool of empowerment rather than exploitation. The award does not encourage surgery or dangerous trends; it reminds women that beauty is found in authenticity and cultural identity, not in conforming to a foreign template. Unusual Award N.13- Extreme Gluteal Proportions In African
. Understanding it requires looking past the "spectacle" and recognizing the human history behind the physiological trait. of localized fat storage or the life of Sarah Baartman
The surrounding the repatriation of ancestral remains.
It is most notably found in indigenous African populations, specifically the Khoisan peoples (including the San and Khoikhoi) of Southern Africa. As with any award that singles out specific
The "Unusual Award N.13: Extreme Gluteal Proportions In African" is not a formal scientific or historical accolade, but rather a satirical construct created by Nigerian TikToker Charity Ekezie
: Her videos often follow a format where she addresses a viewer's "ignorant" question (e.g., "Do you have shoes in Africa?") with extreme sarcasm, eventually "awarding" herself or the questioner for their unique perspective on the continent. Why It Resonates
While the "award" is fictional, the topic often intersects with historical and scientific discussions: Anthropologists suggest this was an evolutionary adaptation
This is not a real scientific or academic accolade. Instead, it is a creative tool used to highlight the absurdity of fetishizing or over-generalizing African physical traits.
The manifestation of extreme gluteal proportions in specific African lineages is not a deformity; it is an evolutionary adaptation.
In the realm of global aesthetics, cultural anthropology, and human biology, certain physical traits become focal points of intense interest, admiration, and sometimes, intense scrutiny. Recently, the phrase has surfaced, likely stemming from, or being discussed in the context of, content created by figures like TikToker Charity Ekezie who uses satire to address stereotypes about Africa.
By using humor and satire around terms like "Unusual Award N.13," African creators reclaim authority over their image. They effectively reject both historical pathologization and modern commercial exploitation, reminding the internet that their bodies are not a trend, an anomaly, or an award category.
Jude, Thank you for this.
Gentle correction: I believe it was the short film, not the album, that was inducted into the Library of Congress.
http://www.mtv.com/news/1628945/michael-jacksons-thriller-added-to-national-film-registry/
Always love your postings.
actually BOTH have been recognized. 2009 Film regsitry for short film Thrilller http://www.loc.gov/today/pr/2009/09-250.html
and in 2008 the Album – for Thriller recording -http://www.loc.gov/loc/lcib/08078/nrr.html
THRILLER simply saved the music industry and changed popular music forever! Artists such as Leonard Bernstein became huge fans and admirers of Michael’s artistry. Many classical musicians and performers did likewise….
I still marvel at Michael’s creativity and imagination! He was just beyond the beyond! I have never seen or heard another artist like him, and I doubt I ever will. I miss him, pure and simple. Bless him….