In the late 80s, the Taboo franchise was already a legend in adult cinema. Known for pushing the boundaries of narrative and taboo subjects (no pun intended), the series had evolved from its groundbreaking 1980 origins into a sprawling family saga.
For many longtime fans of the franchise, Taboo VII is a disappointing entry. In a forum discussion, one fan called it "the weakest one out of the seven," citing a confusing story, a lack of taboo content, and a questionable lead actor. Another reviewer on Letterboxd felt the film was boring, with sex scenes that were too short and dialogue scenes that were "WAY too long".
known for high-production-value adult films from that era. Other films in the "Taboo" series to compare styles.
In file-sharing communities (now mostly defunct or darknet), "extra quality" tags meant: taboo vii the wild and the innocent 1989 ful extra quality
Taboo VII: The Wild and the Innocent (1989) stands as a representative example of late‑80s adult cinema that strives for narrative depth while navigating controversial subject matter. Its production values, particularly in the Extra Quality remaster, set it apart from many contemporaneous releases, and its ongoing presence in collector circles underscores its lasting niche appeal. The film’s exploration of forbidden family dynamics continues to generate discussion in both adult‑entertainment and academic contexts, illustrating how erotica can intersect with broader cultural and psychological themes.
When the original Taboo debuted in 1980, it shocked and captivated audiences by dealing directly with taboo family dynamics and illicit psychological relationships. It established what fans call the "Prime Directive" of the series: high-intensity, emotionally heavy narratives focused on forbidden lust.
and its stylistic shift away from the series' typical narrative. Plot and Narrative Structure In the late 80s, the Taboo franchise was
The film operates on an awkward but fascinating flashback structure. The story begins in the present day when a celebrated author and poet, Ben Brookfield (played by adult industry icon ), bumps into his long-lost love, Emily ( Lysa Thatcher ), at a book signing.
The central controversy surrounding the film is its true origin. A persistent and compelling theory suggests that Taboo VII: The Wild and the Innocent is not a new Taboo film at all. It is, in fact, a reissue of a 1980 film titled , directed by Peter Perry Jr. under a pseudonym.
The narrative of Taboo VII utilizes a unique flashback structure. The film opens with a successful, middle-aged poet and author named Ben Brookfield. During a chaotic book signing where he is swarmed by adoring fans, Ben reflects on his transformative past. In a forum discussion, one fan called it
Taboo VII: The Wild and the Innocent completely subverts this expectation. Film historians and casual reviewers alike note that the movie functions entirely as a stand-alone arthouse erotic feature. It bypasses the family melodrama entirely, trading psychological angst for a lighter, more theatrical tone filled with poetry, painting, and musical numbers. Plot Outline: Sensuality at the Whitestone Institute
: Kirdy Stevens (credited), Pete Perry Jr. (original footage).
