Work | Sekunder 2009 Short Film

Sekunder was , who is also known by the name Anders Fløe. He co-wrote the script with Nikolaj Sonqvist. For his work, Svenningsen received significant recognition, winning two awards for the film, which helped establish him as a promising new voice in Danish cinema.

As Lars begins to document the phenomenon, he realizes that the temporal gap is growing. By the middle of the film, his reflection is a full five seconds behind. The horror escalates when he looks at his wife in the hallway mirror; her reflection moves in real time . The lag is unique to him. The film poses an existential question: What happens when the mirror stops following your commands? And what is the "thing" in the glass waiting for?

"Sekunder" is a 15-minute short film directed by Norwegian filmmaker, Mikkel Brænne. The film tells the story of a young man who is struggling to come to terms with the loss of his girlfriend. As he navigates his grief, he finds himself becoming increasingly obsessed with the concept of time, and the film's narrative is structured around his perception of time passing. sekunder 2009 short film work

Recommended for fans of: Lost in Translation, Wong Kar-wai’s shorter works, stories about emotional closure.

Lars smashes the mirror. But in the shards, there are dozens of tiny reflections, each moving at different speeds—some faster, some slower. The film cuts to black. The final sound is the video camera’s battery dying. Sekunder was , who is also known by the name Anders Fløe

Cut back to Lars. The coffeemaker drips. He hasn’t moved. But his breathing has changed—shallow, rapid. He blinks. Hard.

The narrative is driven by a "secret" shared by the daughter, highlighting how suppressed trauma eventually surfaces with explosive results. Cyclical Violence: As Lars begins to document the phenomenon, he

What makes Sekunder a unique cinematic work is how the story unfolds:

The editing is particularly noteworthy. By manipulating the pacing—slowing down during moments of internal reflection and speeding up during the climax—the filmmakers effectively mimic the subjective experience of time during a crisis. Historical Context: 2009 in Short Film History

In the landscape of 2009 Malaysian independent cinema, Sekunder stands out as a piece of "truth-telling." It moves away from the commercial romantic comedies dominant in the mainstream market, offering instead a sobering look at the invisible workforce. It serves as a reminder that behind every modern convenience and smooth-running institution, there is human labor that is often exploited or ignored.

He does not drink. He carries the mug to the window, looks out at the grey sky, and sets it down on the sill. The camera slowly zooms in on the mug, then past it, through the glass, to a playground across the street. It is empty. The swings sway in a wind we cannot hear.