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: A controversial ABC miniseries based on the 9/11 Commission Report. Paper Theme

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Following World War II and the ascension of Mohammad Reza Pahlavi, the Shah of Iran, cinema was largely left to the private sector as the state focused on military and social infrastructure. This vacuum allowed local entrepreneurs and artists to take control of the camera, creating films that directly reflected the lived experiences, anxieties, and fantasies of everyday Iranians navigating the rapidly changing urban landscape. They told their own tales, often focusing on the bustling, chaotic streets of Tehran rather than the idealized rural villages seen in some art-house films of the era. This public link is valid for 7 days

Movies titled directly after the tragedy, such as Martin Guigui’s 9/11 (2017) starring Charlie Sheen and Whoopi Goldberg, focus on localized, intense human survival stories—such as individuals trapped together in a World Trade Center elevator.

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Despite this critical scorn, Filmfarsi was the cinema of the people. It was a raucous, melodramatic, and unapologetically entertaining genre that provided escapism for a nation grappling with the dizzying and often brutal speed of modernization. In essence, Filmfarsi was the Iranian equivalent of Hollywood B-movies, Spaghetti Westerns, and Bollywood masala films, a "mashup of several popular cinema genres" that created an "impure art form where comedy can turn to drama and drama turn into unusually trivial farce".