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A study by GMO Research & AI analyzing SVOD viewing behavior in July 2025 revealed diverse content preferences. Netflix's "Natsume‘s Book of Friends" topped the ranking with an average of 29.46 hours per user, demonstrating the strong appeal of Japanese anime. WeTV’s "Kelana Cinta" followed in second place with 25.03 hours per user, highlighting the solid audience base for local or regional drama content. The rankings also featured Korean dramas ("While You Were Sleeping"), Chinese-language series ("Go Go Squid!"), and sci-fi ("Snowpiercer"), reflecting viewers‘ diverse tastes. Overall, Indonesia’s SVOD market showcases a dual structure where global platforms and regional content coexist.

Technologically, the Ministry of Culture advocates for to modernize the national film industry, reducing reliance on physical sets and lowering production costs. Projects like the children‘s sci-fi film "Pelangi di Mars" utilize XR technology developed domestically over three years.

: Indonesia's foray into high-concept sci-fi, featuring virtual production to tell the story of the first human born on Mars. The Streaming War and Local Dominance A study by GMO Research & AI analyzing

In the last decade, Southeast Asia has emerged as a cultural superpower, and at the heart of this creative explosion is Indonesia. With a population of over 270 million people and a mobile-first generation that spends an average of nearly 9 hours a day on the internet, the landscape of is no longer a niche curiosity—it is a global force.

Indonesia's entertainment sector has undergone a massive transformation, shifting from traditional broadcast television to a dynamic, social-media-driven ecosystem. As of early 2026, the country's vast population—the fourth largest in the world—engages deeply with digital video, with users spending an average of over 8 hours online daily. This digital shift has redefined "popular" content, blending global trends with deeply rooted local identities. Dominant Platforms and Consumption Habits The rankings also featured Korean dramas ("While You

For decades, the definition of Indonesian entertainment was dominated by (soap operas) on free-to-air TV. Shows like Tukang Bubur Naik Haji and Ikatan Cinta drew tens of millions of viewers nightly. However, the internet has decentralized this control.

Music is a massive driver of video views in Indonesia. Dangdut , a genre of Indonesian folk and traditional popular music, has evolved into Dangdut Koplo —a faster, digitized version featuring heavy percussion. Videos of live performances, localized street dances, and acoustic covers of pop songs with a traditional Javanese or Sundanese twist regularly accumulate tens of millions of views within days of release. 4. Daily Vlogs and "Settingan" (Staged Reality) Projects like the children‘s sci-fi film "Pelangi di

Indonesia boasts one of the largest TikTok user bases globally. The platform is the birthplace of national trends, viral music hits, and localized comedy challenges. It thrives on short-form, highly relatable content. Instagram Reels and Shorts

Videos that celebrate regional cultures—whether through Sundanese comedy sketches, Javanese musical covers, or Batak family vlogs—garner fierce loyalty from local communities and curiosity from the wider public. 4. The Creator Economy: Shifting Media Consumption